2021 National Book Award Finalists

"A Little Devil in America is an urgent project that unravels all modes and methods of black performance, in this moment when black performers are coming to terms with their value, reception, and immense impact on America. With sharp insight, humor, and heart, Abdurraqib examines how black performance happens in specific moments in time and space--midcentury Paris, the moon, or a cramped living room in Columbus, Ohio. At the outset of this project, Abdurraqib became fascinated with clips of black minstrel entertainers like William Henry Lane, better known as Master Juba. Knowing there was something more complicated and deep-seated in the history and legacy of minstrelsy, Abdurraqib uncovered questions and tensions that help to reveal how black performance pervades all areas of American society. Abdurraqib's prose is entrancing and fluid as he leads us along the links in his remarkable trains of thought. A Little Devil in America considers, critques, and praises performance in music, sports, writing, comedy, grief, games, and love"-- Provided by publisher.

"From the Pulitzer Prize-winning author of perhaps the most bestselling and beloved literary fiction of our time comes a triumph of imagination and compassion, a soaring novel about children on the cusp of adulthood in a broken world, who find resilience, hope, and story. The heroes of Cloud Cuckoo Land are children trying to figure out the world around them, and to survive. In the besieged city of Constantinople in 1453, in a public library in Lakeport, Idaho, today, and on a spaceship bound for a distant exoplanet decades from now, an ancient text provides solace and the most profound human connection to characters in peril. They all learn the story of Aethon, who longs to be turned into a bird so that he can fly to the paradise of Cloud Cuckoo Land, a better world. Twelve-year-old Anna lives in a convent where women toil all day embroidering the robes of priests. She learns to read from an old Greek tutor she encounters on her errands in the city. In an abandoned priory, she finds a stash of old books. One is Aethon's story, which she reads to her sister as the walls of Constantinople are bombarded by armies of Saracens. Anna escapes, carrying only a small sack with bread, salt fish-and the book. Outside the city walls, Anna meets Omeir, a village boy who was conscripted, along with his beloved pair of oxen, to fight in the Sultan's conquest. His oxen have died; he has deserted. In Lakeport, Idaho, in 2020, Seymour, a young activist bent on saving the earth, sits in the public library with two homemade bombs in pressure cookers-another siege. Upstairs, eighty-five-year old Zeno, a former prisoner-of-war, and an amateur translator, rehearses five children in a play adaptation of Aethon's adventures. On an interstellar ark called The Argos, Konstance is alone in a vault with sacks of Nourish powder and access to all the information in the world-or so she is told. She knows Aethon's story through her father, who has sequestered her to protect her. Konstance, encased on a spaceship decades from now, has never lived on our beloved Earth. Alone in a vault with sacks of Nourish powder and access to "all the information in the world," she knows Aethon's storythrough her father. Like Marie-Laure and Werner in All the Light We Cannot See, Konstance, Anna, Omeir, Seymour, the young Zeno, the children in the library are dreamers and misfits on the cusp of adulthood in a world the grown-ups have broken. They through their own resilience and resourcefulness, and through story. Dedicated to "the librarians then, now, and in the years to come," Anthony Doerr's Cloud Cuckoo Land is about the power of story and the astonishing survival of the physical book when for thousands of years they were so rare and so feared, dying, as one character says, "in fires or floods or in the mouths of worms or at the whims of tyrants." It is a hauntingly beautiful and redemptive novel about stewardship-of the book, of the Earth, of the human heart"-- Provided by publisher.

It's winter in Sokcho, a tourist town on the border between South and North Korea. The cold slows everything down. Bodies are red and raw, the fish turn venomous, beyond the beach guns point out from the North's watchtowers. A young French Korean woman works as a receptionist in a tired guesthouse. One evening, an unexpected guest arrives: a French cartoonist determined to find inspiration in this desolate landscape. The two form an uneasy relationship. When she agrees to accompany him on trips to discover an "authentic" Korea, they visit snowy mountaintops and dramatic waterfalls, and cross into North Korea. But he takes no interest in the Sokcho she knows--the gaudy neon lights, the scars of war, the fish market where her mother works. As she's pulled into his vision and taken in by his drawings, she strikes upon a way to finally be seen.

"From the winner of the Ruth Lilly Poetry Prize come masterfully crafted narratives of protest, grief, and love. In this collection, Martín Espada bears witness to confrontation with anti-immigrant bigotry as a tenant lawyer years ago, and now sings the praises of Central American adolescents playing soccer in an internment camp founded on that same bigotry. He knows that times of hate also call for poems of love-even in the voice of a Galápagos tortoise. Whether celebrating the visions of fallen dreamers and poets or condemning the devastation of Hurricane Maria and official negligence in his father's Puerto Rico, Espada invokes ferocious, incandescent spirits"-- Provided by publisher.

"An immersive tale of the killing of a Native American man and its far-reaching consequences for Colonial America. In the summer of 1722, on the eve of a conference between the Five Nations of the Iroquois and British-American colonists, two colonial fur traders brutally attacked an Indigenous hunter in colonial Pennsylvania. The crime set the entire mid-Atlantic on edge, with many believing that war was imminent. Frantic efforts to resolve the case created a contest between Native American forms of justice, centered on community, forgiveness, and reparations, and an ideology of harsh reprisal, based on British law, that called for the killers' execution. In a stunning narrative history based on painstaking original research, acclaimed historian Nicole Eustace reconstructs the crime and its aftermath, taking us into the worlds of Euro-Americans and Indigenous peoples in this formative period. A feat of reclamation evoking Laurel Thatcher Ulrich's A Midwife's Tale and Alan Taylor's William Cooper's Town, Eustace's utterly absorbing account provides a new understanding of Indigenous forms of justice, with lessons for our era"-- Provided by publisher.

"It's 1984 in Chile, in the middle of the Pinochet dictatorship. A member of the secret police walks into the office of a dissident magazine and finds a reporter, who records his testimony. The narrator of Nona Fernández's mesmerizing and terrifying novel The Twilight Zone is a child when she first sees this man's face on the magazine's cover with the words "I Tortured People." His complicity in the worst crimes of the regime and his commitment to speaking about them haunt the narrator into her adulthood and career as a writer and documentarian. Like a secret service agent from the future, through extraordinary feats of the imagination, Fernández follows the "man who tortured people" to places that archives can't reach, into the sinister twilight zone of history where morning routines, a game of chess, Yuri Gagarin, and the eponymous TV show of the novel's title coexist with the brutal yet commonplace machinations of the regime."--Amazon.

"In 1898, China experienced one hundred days of utopia, after a cabal of reformist intellectuals persuaded the young emperor to enact sweeping changes intended to modernize the country and bring about the "Great Unity." Their movement ended in blood and the crowning of two more dictators, but not before it whetted an appetite for revolution all across the country - an appetite that would eventually consume millions of lives. One such life belongs to Xiumi, the young daughter of a wealthy landowner and former government official who goes insane over a painting, then mysteriously disappears. Days later, Xiumi's mother welcomes to the estate a young man who carries a grand but brutal vision in his heart and a gold cicada in his pocket. When his plans collapse, Xiumi inherits his vision, just as she herself begins fighting the Confucian social mores that view women as property. On her wedding day, she becomes a pawn in a series of violent transactions carried out by men who think they are building paradise; as each one fails, she attempts to repay them in kind by spearheading a movement of her own. Her campaign for change is always a fight to win control of her own body; and the cost of even that is nearly total."--Provided by publisher.

"Cast out of the royal court by Eleanor of Aquitaine, deemed too coarse and rough-hewn for marriage or courtly life, seventeen-year-old Marie de France is sent to England to be the new prioress of an impoverished abbey, its nuns on the brink of starvation and beset by disease. At first taken aback by the severity of her new life, Marie finds focus and love in collective life with her singular and mercurial sisters. In this crucible, Marie steadily supplants her desire for family, for her homeland, for the passions of her youth with something new to her: devotion to her sisters, and a conviction in her own divine visions. Marie, born the last in a long line of women warriors and crusaders, is determined to chart a bold new course for the women she now leads and protects. But in a world that is shifting and corroding in frightening ways, one that can never reconcile itself with her existence, will the sheer force of Marie's vision be bulwark enough? Equally alive to the sacred and the profane, Matrix gathers currents of violence, sensuality, and religious ecstasy in a mesmerizing portrait of consuming passion, aberrant faith, and a woman that history moves both through and around. Lauren Groff's new novel, her first since Fates and Furies, is a defiant and timely exploration of the raw power of female creativity in a corrupted world"-- Provided by publisher.

After losing both her parents and her aunt, Zorrie is cast into the perilous realities of rural Depression-era Indiana. Drifting west, surviving on odd jobs, Zorrie finds a position at a radium processing plant. When Indiana calls Zorrie home, she finds the love and community that has always eluded her in and around the small town of Hillisburg, but discovers that her trials have only begun. -- adapted from jacket

"A singular and stunning debut novel about the forbidden union between two enslaved young men on a Deep South plantation, the refuge they find in each other, and a betrayal that threatens their existence"-- Provided by publisher.

"Aware of the racial tumult in the years after the passage of the Chinese Exclusion Act, Mei tries to remain blissfully focused on her job, her close friendship with the camp foreman's daughter, and telling stories about Paul Bunyan--reinvented as Po Pan Yin (Auntie Po), an elderly Chinese matriarch"-- Provided by publisher.

"A fictional examination of the lives of real-life scientists and thinkers whose discoveries resulted in moral consequences beyond their imagining. When We Cease to Understand the World is a book about the complicated links between scientific and mathematical discovery, madness, and destruction. Fritz Haber, Alexander Grothendieck, Werner Heisenberg, Erwin Schrodinger: these are some of luminaries into whose troubled lives Labatut's book thrusts the reader, showing us how they grappled with the most profound questions of existence. They have strokes of unparalleled genius, alienate friends and lovers, descend into isolation and insanity. Some of their discoveries reshape human life to the better; others pave the way to chaos and unimaginable suffering. The lines are never clear. At a breakneck pace and with a wealth of disturbing detail, Benjamin Labatut uses the imaginative resources of fiction to tell the stories of scientists and mathematicians who expanded our notions of the possible"-- Provided by publisher.

"Seventeen-year-old Lily Hu can't remember exactly when the question took root, but the answer was in full bloom the moment she and Kathleen Miller walked under the flashing neon sign of a lesbian bar called the Telegraph Club. America in 1954 is not a safe place for two girls to fall in love, especially not in Chinatown. Red-Scare paranoia threatens everyone, including Chinese Americans like Lily. With deportation looming over her father--despite his hard-won citizenship--Lily and Kath risk everything to let their love see the light of day"-- Provided by publisher.

In the summer before middle school, eleven-year-old Bug must contend with best friend Moira suddenly caring about clothes, makeup, and boys; a ghost haunting; and the truth about Bug's gender identity.

Moth, who lost her family in an accident, and Sani, who is battling ongoing depression, take a road trip that has them chasing ghosts and searching for ancestors, which helps them move forward in surprising, powerful and unforgettable ways.

"Sitting in the Smithsonian's National Museum of African American History and Culture is a rough cotton bag, called "Ashley's Sack," embroidered with just a handful of words that evoke a sweeping family story of loss and of love passed down through generations. In 1850s South Carolina, just before nine-year-old Ashley was sold, her mother, Rose, gave her a sack filled with just a few things as a token of her love. Decades later, Ashley's granddaughter, Ruth, embroidered this history on the bag--including Rose's message that "It be filled with my Love always." Historian Tiya Miles carefully follows faint archival traces back to Charleston to find Rose in the kitchen where she may have packed the sack for Ashley. From Rose's last resourceful gift to her daughter, Miles then follows the paths their lives and the lives of so many like them took to write a unique, innovative history of the lived experience of slavery in the United States. The contents of the sack--a tattered dress, handfuls of pecans, a braid of hair, "my Love always"--speak volumes and open up a window on Rose and Ashley's world. As she follows Ashley's journey, Miles metaphorically "unpacks" the sack, deepening its emotional resonance and revealing the meanings and significance of everything it contained. These include the story of enslaved labor's role in the cotton trade and apparel crafts and the rougher cotton "negro cloth" that was left for enslaved people to wear; the role of the pecan in nutrition, survival, and southern culture; the significance of hair to Black women and of locks of hair in the nineteenth century; and an exploration of Black mothers' love and the place of emotion in history"-- Provided by publisher.

"From a New York Times bestselling author, an astounding work of fiction, both incredibly funny and heartfelt, asking readers to embrace the fantastical in order to get to the heart of racism, police violence, and the hidden costs exacted upon not only Black Americans, but America as a whole"-- Provided by publisher.

"A new collection of poetry by Hoa Nguyen"-- Provided by publisher.

"The poems in The Sunflower Cast A Spell To Save Us From The Void read like dispatches from the dream world, with Jackie Wang acting as our trusted comrade reporting across time and space. By sharing her personal index of dreams with its scenes of solidarity and resilience, interpersonal conflict and outlaw jouissance, Wang embodies historical trauma and communal memory. Here, the all-too-familiar interplay between crisis and resistance becomes first distorted, then clarified and refreshed. With a light touch and invigorating sense of humor, Wang illustrates the social dimension of dreams and their ability to inform and reshape the dreamer's waking world with renewed energy and insight."--Publisher's description.