2022 Pulitzer Prizewinners

""The poet is endemic with life itself," Will Alexander once said, and in this searing pas de trois, Refractive Africa: Ballet of the Forgotten, he has exemplified this vital candescence with a transpersonal amplification worthy of the Cambrian explosion. "This being the ballet of the forgotten," he writes as diasporic witness, "of refracted boundary points as venom." The volume's opening poem pays homage to the innovative Nigerian-Yoruban author Amos Tutuola; it ends with an encomium to the modernist Malagasy poet Jean-Joseph Rabearivelo-two writers whose luminous art suffered "colonial wrath through refraction." A tribute to the Congo forms the bridge and brisé vole of the book: the Congo as "charged aural colony" and "primal interconnection," a "subliminal psychic force" with a colonial and postcolonial history dominated by the Occident. Will Alexander's improvisatory cosmicity pushes poetic language to the point of most resistance-incantatory and swirling with magical laterality and recovery"-- Provided by publisher.

"Corbin College, not-quite-upstate New York, winter 1959-1960: Ruben Blum, a Jewish historian--but not an historian of the Jews--is co-opted onto a hiring committee to review the application of an exiled Israeli scholar specializing in the Spanish Inquisition. When Benzion Netanyahu shows up for an interview, family unexpectedly in tow, Blum plays the reluctant host, to guests who proceed to lay waste to his American complacencies. Mixing fiction with non-fiction, the campus novel with the lecture, The Netanyahus is a wildly inventive, genre-bending comedy of blending, identity, and politics"--

"Invisible Child follows eight dramatic years in the life of Dasani Coates, a child with an imagination as soaring as the skyscrapers near her Brooklyn homeless shelter. Born at the turn of a new century, Dasani is named for the bottled water that comes to symbolize Brooklyn's gentrification and the shared aspirations of a divided city. As Dasani grows up, moving with her tightknit family from shelter to shelter, her story reaches back to trace the passage of Dasani's ancestors from slavery to the Great Migration north. By the time Dasani comes of age in the twenty-first century, New York City's homeless crisis is exploding amid the growing chasm between rich and poor. In the shadows of this new Gilded Age, Dasani must lead her seven siblings through a thicket of problems: hunger, parental addiction, violence, housing instability, pollution, segregated schools, and the constant monitoring of the child-protection system. When, at age thirteen, Dasani enrolls at a boarding school in Pennsylvania, her loyalties are tested like never before. As she learns to "code-switch" between the culture she left behind and the norms of her new town, Dasani starts to feel like a stranger in both places. Ultimately, she faces an impossible question: What if leaving poverty means abandoning the family you love?"-- Provided by publisher.

"An immersive tale of the killing of a Native American man and its far-reaching consequences for Colonial America. In the summer of 1722, on the eve of a conference between the Five Nations of the Iroquois and British-American colonists, two colonial fur traders brutally attacked an Indigenous hunter in colonial Pennsylvania. The crime set the entire mid-Atlantic on edge, with many believing that war was imminent. Frantic efforts to resolve the case created a contest between Native American forms of justice, centered on community, forgiveness, and reparations, and an ideology of harsh reprisal, based on British law, that called for the killers' execution. In a stunning narrative history based on painstaking original research, acclaimed historian Nicole Eustace reconstructs the crime and its aftermath, taking us into the worlds of Euro-Americans and Indigenous peoples in this formative period. A feat of reclamation evoking Laurel Thatcher Ulrich's A Midwife's Tale and Alan Taylor's William Cooper's Town, Eustace's utterly absorbing account provides a new understanding of Indigenous forms of justice, with lessons for our era"-- Provided by publisher.

"In Cuba, the passing of Fidel Castro from this world and of Raúl Castro from power have raised urgent questions about the island's political future. In the United States, Barack Obama's opening to Cuba, the reversal of that policy during Donald Trump's administration, and Joseph Biden's apparent willingness to reinitiate open relations have made the nature of the historic relationship between the two nations a subject of debate once more. In both countries, the time is ripe for a new reckoning with Cuba's history and its relationship to the United States. Now, award-winning historian Ada Ferrer delivers an ambitious and moving chronicle of more than five hundred years of Cuban history, reconceived and written for a moment when history itself seems up for grabs. Starting on the eve of the arrival of Columbus and ending with the 2020 US presidential election, Cuba: An American History provides us with a front-row seat as we witness the evolution of modern Cuba, with its dramatic history of conquest and colonization, of slavery and freedom, of independence and revolutions made and unmade. Throughout, Ferrer explores the sometimes surprising, often troubled intimacy between Cuba and its neighbor to the north, documenting not only the influence of the United States on Cuba but also the many ways Cuba has been a recurring presence in US affairs. This, then, is a story of Cuba that will also give American readers unexpected insights into the history of their own country. Filled with rousing stories and characters, and drawing on over thirty years of research in Cuba, Spain, and the United States-as well as the author's own extensive travel in Cuba over the same period-this is a stunning and monumental history of Cuba like no other"-- Provided by publisher.

"Our narrator, Francisco Goldberg, an American writer, has been living and working in Mexico City as a journalist for over a decade, but has recently returned to New York City in hopes of 'going home again.' It's been five years since the end of his last relationship and he is falling in love again with a new woman. Soon, though, he is beckoned back to Boston by his former high school girlfriend who was witness to his greatest youthful humiliations, and his Guatemalan mother, Yolanda, around whom his story orbits like a dark star. Backdropping this five-day trip to his childhood home is the specter of Frank's recently deceased father, Bert, an immigrant from Ukraine who was volcanically tempered, pathologically abusive, yet also at times infuriatingly endearing; as well as the high school bullies who gave him the moniker 'monkey boy.' Told in an intimate, irresistibly funny, and passionate voice, this extraordinary portrait of a family and of growing up a 'halfie,' unearths the hidden cruelties in a predominantly white, working-class Boston suburb where Francisco came of age and explores the pressures of living betwixt and between worlds all his life. Monkey Boy is a new masterpiece of autobiographical fiction from one of the most important American voices in the last forty years"-- Provided by publisher.

"The epic rendering of a Black woman's journey through slavery and liberation, set in 17th-century colonial Brazil"-- Provided by publisher.

"A groundbreaking history of the antebellum movement for equal rights that reshaped the institutions of freedom after the Civil War. The half century before the Civil War was beset with conflict over freedom as well as slavery: what were the arrangements of free society, especially for African Americans? Beginning in 1803, many free states enacted black codes that discouraged the settlement and restricted the basic rights of free black people. But claiming the equal-rights promises of the Declaration and the Constitution, a biracial movement arose to fight these racist state laws. Kate Masur's magisterial history delivers this pathbreaking movement in vivid detail. Its advocates battled in state legislatures, Congress, and the courts, and through petitioning, party politics and elections. They visited slave states to challenge local laws that imprisoned free blacks and sold them into slavery. Despite immovable white majorities and unfavorable court decisions, their vision became increasingly mainstream. After the Civil War, their arguments shaped the Civil Rights Act and the Fourteenth Amendment, the pillars of our second founding"-- Provided by publisher.

"The vivid biography of two pioneering sisters who, together, became America's first female doctors and transformed New York's medical establishment by creating a hospital by and for women. Elizabeth Blackwell believed from an early age that she was destined for greatness beyond the scope of "ordinary" womanhood. Though the world recoiled at the notion of a woman studying medicine, her intelligence and intensity won her the acceptance of the all-male medical establishment and in 1849 she became the first woman in America to receive a medical degree. But Elizabeth's story is incomplete without her often forgotten sister, Emily, the third woman in America to receive a medical degree. Exploring the sisters' allies, enemies and enduring partnership, Nimura presents a story of both trial and triumph: Together the sisters' founded the New York Infirmary for Indigent Women and Children, the first hospital staffed entirely by women. Both sisters were tenacious and visionary; they were also judgmental, uncompromising, and occasionally misogynistic--their convictions as 19th-century women often contradicted their ambitions. From Bristol, England, to the new cities of antebellum America, this work of rich history follows the sister doctors as they transform the nineteenth century medical establishment and, in turn, our contemporary one"-- Provided by publisher.

"Nicola, Christianne, and Marie are mothers who discovered too late that their sons had been radicalized online and had flown from the West to join the tens of thousands of foreign ISIS fighters in Syria. Too often extremists are portrayed as having sprung from the earth as irredeemable killing machines, but these women underscore the deeper truth that no one is born a terrorist, and they have themselves become activists in preventing violent radicalism. Home, land, security explores innovative new counter-extremism programs around the world, including in the United States, Europe, Pakistan, and Indonesia. We meet an American judge who has staked his career on finding new ways to handle terror suspects, a Pakistani woman running a game-changing school for former child soldiers, a radicalized Somali American who learns through literature to see beyond his hate-filled beliefs, and a former neo-Nazi who now helps disarm jihadis"-- Provided by publisher.

Reports on the Supreme Court's most divisive case, Roe v. Wade, and the unknown lives at its heart.

"A self-taught artist's odyssey from Jim Crow era Georgia to the Yale Art Gallery--a stunningly vivid, full-color memoir in prose and painted leather, with a foreword by Equal Justice Initiative founder Bryan Stevenson. Winfred Rembert grew up as a field hand on a Georgia plantation. He embraced the Civil Rights Movement, endured political violence, survived a lynching, and spent seven years in prison on a chain gang. Years later, seeking a fresh start at the age of 52, he discovered his gift and vision as an artist, and using leather tooling skills he learned in prison, started etching and painting scenes from his youth. Rembert's work has been exhibited at museums and galleries across the country, profiled in the New York Times and more, and honored by Bryan Stevenson's Equal Justice Initiative. In Chasing Me to My Grave, he relates his life in prose and paintings--vivid, confrontational, revelatory, complex scenes from the cotton fields and chain gangs of the segregated south to the churches and night clubs of the urban north. This is also the story of finding epic love, and with it the courage to revisit a past that begs to remain buried, as told to Tufts philosopher Erin I. Kelly"-- Provided by publisher.

""The sonnet, like poverty, teaches you what you can do / without," Diane Seuss writes in this brilliant, candid work, her most personal collection to date. These poems tell the story of a life at risk of spilling over the edge of the page, from Seuss's working-class childhood in rural Michigan to the dangerous allures of New York City and back again. With sheer virtuosity, Seuss moves nimbly across thought and time, poetry and punk, AIDS and addiction, Christ and motherhood, showing us what we can do, what we can do without, and what we offer to one another when we have nothing left to spare. Like a series of cels on a filmstrip, frank: sonnets captures the magnitude of a life lived honestly, a restless search for some kind of "beauty or relief." Seuss is at the height of her powers, devastatingly astute, austere, and--in a word--frank."--Publisher's website.