#BroaderBookshelf 2021: Central America

"The powerful story of a child refugee seeking asylum in America Thirteen-year-old Manuelito is a gentle boy who lives with his family in a tiny village in the Guatemalan countryside. But life is far from idyllic: PACs--armed civil patrol--are a constant presence in the streets, and terrifying memories of the country's war linger in the villagers' collective conscience. Things deteriorate further when government-backed drug gangs arrive and take control of the village. Fearing their son will be forced to join a gang, Manuelito's parents make the desperate decision to send him to live with his aunt in America. With just a bus ticket and a small amount of cash in hand, Manuelito begins his hazardous journey to Mexico, then the U.S., in search of asylum. But in the end, dangers such as the crooked "coyote"--Or human smuggler--his parents have entrusted their son's life to may be nothing compared to the risks Manuelito faces when he finally reaches America. Manuelito's titular character is just one of the staggering one hundred thousand children from the Northern Triangle of Central America--Guatemala, El Salvador, and Honduras--who have made this perilous journey to escape their war-torn countries. Many are now detained in Mexico, separated from their parents and without access to lawyers, facing the unthinkable prospect of being sent back to the homes and danger they risked so much to escape. Drawing on years of experience working with child refugees like Manuelito, Elisa Amado's powerful story, illustrated with striking poignancy by Abraham Urias, brings to light the dire circumstances of so many children, so close to home."-- Provided by publisher.

The Shark and the Sardines is a scathing allegorical short story by Juan Jos ̌Arv̌alo Bermejo (1904-1990), who was the first of the reformist presidents of Guatemala (1944-1951). As a country that had seen a series of dictatorships following its independence from Spain, Arv̌alo's 1944 election is considered by historians to be the first fair and democratic election in Guatemala's republican history. Arv̌alo's administration was marked by unprecedented relatively free political life during his six-year term. An educator and philosopher, he understood the need for advancement in individuals, communities, and nations by practical means.

"In Monastery, the nomadic narrator of Eduardo Halfon's critically-acclaimed The Polish Boxer returns to travel from Guatemalan cities, villages, coffee plantations, and border towns to a private jazz concert in New York's Harlem, a former German U-Boat base on the French Breton coast, and Israel, where he escapes from his sister's Orthodox Jewish wedding into an erotic adventure with the enigmatic Tamara. His passing encounters are unforgettable; his relationships, problematic. At once a world citizen and a writer who mistrusts the power of language, he is pursued by history's ghosts and unanswerable questions. He is a cartographer of identity on a compelling journey to an uncertain destination. As he draws and redraws his boundaries, he confronts us with the limitations of our own. Eduardo Halfon was named one of the best young Latin American writers by the Hay Festival of Bogota and is the recipient of a Guggenheim Fellowship and the prestigious Jose; Maria de Pereda Prize for the Short Novel. The Polish Boxer, his first book to appear in English, was a New York Times Editor's Choice selection and finalist for the International Latino Book Award. Halfon currently lives in Nebraska and frequently travels to Guatemala. "-- Provided by publisher.

The narrator, a Guatemalan literature professor, encounters a number of interesting characters, including a Serbian classical pianist, a young Israeli woman, and a Mayan poet, before persuing his most enigmatic subject--himself.

In Mourning, Eduardo Halfon's eponymous narrator travels to Poland, Italy, the U.S., and the Guatemalan countryside in search of secrets he can barely name. He follows memory's strands back to his maternal roots in Jewish Poland and to the contradictory, forbidden stories of his father's Lebanese-Jewish immigrant family, specifically surrounding the long-ago childhood death by drowning of his uncle Salomón. But what, or who, really killed Salomón? As he goes deeper, he realizes that the truth lies buried in his own past, in the brutal Guatemala of the 1970s and his subsequent exile to the American South.

Corazón is a love story. It is about the constant hunger for love. It is about feeding that hunger with another person and finding that sometimes it isn't enough. Salgado creates a world in which the heart can live anywhere; her fat brown body, her parents home country, a lover, a toothbrush, a mango, or a song. It is a celebration of heartache, of how it can ruin us, but most importantly how we always survive it and return to ourselves whole.