The First Casualty

More than 100 first-hand accounts of frontline combat, ranging from the American Civil War to Afghanistan.

The first volume traces the deepening American involvement in South Vietnam from the first deaths of American advisers in 1959 through the controversial battle of "Hamburger Hill" in 1969.

One hundred years on, the First World War has not lost its power to clutch at the heart. But how much do we really know about the war that would shape the 20th Century? And, all the more poignantly, how much did people know at the time? Today, someone fires a shot on the other side of the world and we read about it online a few seconds later. In 1914, with storm clouds gathering over Europe, wireless telephony was in its infancy. So newspapers such as the Daily Telegraph were, for the British public, their only access to official news about the progress of the war. These reports, many of them eye-witness dispatches, written by correspondents of the Daily Telegraph, bring the First World War to life in an intriguing new way. At times, the effect is terrifying, as accounts of the Somme, Flanders and Gallipoli depict brave and glorious victories, and the distinction between truth and propaganda becomes alarmingly blurred. Some exude a sense of dramatic irony that is almost excruciating, as one catches glimpses of how little the ordinary British people were told during the war of the havoc that was being wrought in their name. Poignant, passionate and shot-through with moments of bleak humor, The Telegraph Book of the First World War is a full account of the war by some of the country's most brilliant and colorful correspondents, whose reportage shaped the way that the war would be understood for generations to come.

A wisecracking foreign correspondent recounts her experiences in Afghanistan and Pakistan while sharing cautionary observations about the region in its first post-Taliban years and the responsibilities of the U.S. and NATO.

Martin Bell has served as a corporal in a colonial army, been embedded with British forces, gone on missions with Americans and crossed the Suez Canal with the Israelis. He has kept the company of soldiers, warlords, mercenaries and militias, and even attended one of Idi Amin's weddings. From Vietnam to Yemen, Bell has been in the thick of it, witnessing first-hand the dramatic changes in how wars are fought and reported. Drawing on his experiences as a journalist and a soldier, the respected former BBC correspondent provides a moving, personal account of war - its futility and its failures - and an impassioned take on what we've lost in twenty-first century reporting. The dangers we face today from international terrorism are unprecedented, and TV news, no longer being an eyewitness, censors real world violence and peers across frontiers with the help of unverifiable videos. War and the Death of News is a compelling account of where we have come from and where we now stand, by one of the outstanding TV journalists of our time.

"New York Times bestselling author Lesley M.M. Blume reveals how a courageous reporter uncovered one of greatest and deadliest cover-ups of the 20th century--the true effects of the atom bomb--potentially saving millions of lives"-- Provided by publisher.

In the fall of 1943, armed with only his notebooks and pencils, Time and Life correspondent Robert L. Sherrod leapt from the safety of a landing craft and waded through neck-deep water and a hail of bullets to reach the shores of the Tarawa Atoll with the US Marine Corps. Living shoulder to shoulder with the marines, Sherrod chronicled combat and the marines' day-to-day struggles as they leapfrogged across the Central Pacific, battling the Japanese on Tarawa, Saipan, Iwo Jima, and Okinawa. While the marines courageously and doggedly confronted an enemy that at times seemed invincible, those left behind on the American home front desperately scanned Sherrod's columns for news of their loved ones. Following his death in 1994, the Washington Post heralded Sherrod's reporting as "some of the most vivid accounts of men at war ever produced by an American journalist." Now, for the first time, author Ray E. Boomhower tells the story of the journalist in Dispatches from the Pacific: The World War II Reporting of Robert L. Sherrod, an intimate account of the war efforts on the Pacific front.

Describes how an unlikely friendship forged between the author, a British journalist, and Nick Du Toit, his bodyguard and a notorious mercenary, during Liberia's civil war led to a covert plot to overthrow the government of Equatorial Guinea.

"SERIOUSLY NOT ALL RIGHT : Five Wars in Ten Years is a memoir by Ron Capps, who served both in military intelligence and in the foreign service and as an observer over the span of ten years in wars raging in three continents and over a span of a decade, from Kosovo to Darfur. He received the Bronze Star Medal for his service in Afghanistan, and the William Rivkin Award for his work in Darfur. The victim of PTSD as the result of the human rights abuses he witnessed over this period, he subsequently obtained a medical discharge, earned a double masters degree in writing at Johns Hopkins University, and founded the Veterans Writing Project. He currently teaches at Walter Reed Hospital and George Washington University, and is the editor of the literary magazine Zero Dark Thirty"-- Provided by publisher.

A former British soldier and photographer who accompanied Marie Colvin during the latter's ill-fated final assignment in Syria presents a journal account of their close friendship throughout her last year and the 2012 rocket attack that ended her life.

A giant in American journalism in the vanguard of "The Greatest Generation" reveals his World War II experiences in this National Geographic book.

A biography of the war correspondent Marie Colvin.

From his earliest days, Lincoln spoke to the public directly through the press. When war broke out and the nation was tearing itself apart, Lincoln authorized the most widespread censorship in the nation's history, closing down papers that were "disloyal" and even jailing or exiling editors who opposed enlistment or sympathized with secession. The telegraph, the new invention that made instant reporting possible, was moved to the office of Secretary of War Stanton to deny it to unfriendly newsmen. Holzer shows us politicized newspaper editors battling for power, and a masterly president using the press to speak directly to the people and shape the nation.

Laura Kasinof studied Arabic in college and moved to Yemen a few years later-after a friend at a late-night party in Washington, DC, recommended the country as a good place to work as a freelance journalist. When she first moved to the capital city of Sanaa in 2009, she was the only American reporter based in the country. She quickly fell in love with Yemen's people and culture, and even found herself the star of a local TV soap opera. When antigovernment protests broke out in Yemen in 2011, part of the revolts sweeping the Arab world at the time, she contacted the New York Times to see if she could cover the rapidly unfolding events for the newspaper. Laura never planned to be a war correspondent, but found herself in the middle of brutal government attacks on peaceful protesters. As foreign reporters were rounded up and shipped out of the country, Laura managed to elude the authorities but found herself increasingly isolated-and even more determined to report on what she saw. With a new foreword by the author about what has happened in Yemen since the book's initial publication, Don't Be Afraid of the Bullets is a fascinating and important debut by a talented young journalist.

On May 7, 1945, Associated Press reporter Ed Kennedy became the most famous -- or infamous -- American correspondent of World War II. On that day in France, General Alfred Jodl signed the official documents as the Germans surrendered to the Allies. Army officials allowed a select number of reporters, including Kennedy, to witness this historic moment -- but then instructed the journalists that the story was under military embargo. In a courageous but costly move, Kennedy defied the military embargo and broke the news of the Allied victory. His scoop generated instant controversy. Rival news organizations angrily protested, and the AP fired him several months after the war ended. In this absorbing and previously unpublished personal account, Kennedy recounts his career as a newspaperman from his early days as a stringer in Paris to the aftermath of his dismissal from the AP. During his time as a foreign correspondent, he covered the Spanish Civil War, the rise of Mussolini in Italy, unrest in Greece, and ethnic feuding in the Balkans. During World War II, he reported from Greece, Italy, North Africa, and the Middle East before heading back to France to cover its liberation and the German surrender negotiations. His decision to break the news of V-E Day made him front-page headlines in the New York Times. In his narrative, Kennedy emerges both as a reporter with an eye for a good story and an unwavering foe of censorship. This edition includes an introduction by Tom Curley and John Maxwell Hamilton, as well as a prologue and epilogue by Kennedy's daughter, Julia Kennedy Cochran. Their work draws upon newly available records held in the Associated Press Corporate Archives.

Documents the story of two married journalists who toured the Pacific islands after the fall of Manila during World War II, describing how they had many near-brushes with the Japanese and risked their lives to cover the war in the Pacific Theater.

A celebrated journalist finds himself reporting on the savage war in Vietnam while in combat with his own network. In September 1969, Michael Maclear, the first Western television journalist allowed inside North Vietnam, was in Hanoi for major Canadian and U.S. networks. He recounted in gripping detail how an entire population had been trained for generations in guerrilla combat. His reporting that the North was motivated more by nationalism than Marxism was highly controversial. Later Maclear was taken blindfolded to a Hanoi prison for captive U.S. pilots, some of whom condemned the war. Nixon's White House said the Canadian reporter was duped, and Maclear's own network questioned him in those terms on air. Later, the network found reason to dismiss Maclear as a foreign correspondent. Recently, Maclear returned to Vietnam and interviewed surviving key figures from the war. In this book, he includes startling new information on guerrilla tactics and delivers an impassioned argument for the necessity of journalistic impartiality and integrity.

Read between the front lines: The stories of three Canadian female journalists stationed in England and France during the First World War. Europe: 1914-18. Beatrice Nasmyth, a writer for the Vancouver Province, covered the war's impact on women, from the munitions factories to the kitchens of London's tenements. Mary MacLeod Moore, a writer for Saturday Night Magazine, managed the successful wartime political campaign of Canadian Roberta MacAdams and attended the Versailles Peace Conference as Premier Arthur Sifton's press secretary. Elizabeth Montizambert was in France during the war and witnessed the suffering of its people first-hand. She was often near the fighting, serving as a canteen worker and writing about her experiences for the Montreal Gazette. The reportage from these three women presents an insightful, moving, funny, and compelling body of observations of a devastating conflict, from underrepresented points of view. Firing Lines is based on the letters, articles, and books they wrote, as well as the records of those who knew them. The book offers a fresh perspective on a war that touched nearly every Canadian family and changed our sense of ourselves as a nation.

At a time when most Americans ignored the atrocities going on in Europe in 1940, American journalist Varian Fry put himself in great danger to save strangers in a foreign land. He was instrumental in the rescue of more than 2,000 refugees, including novelist Heinrich Mann and artist Marc Chagall.

"Knights of the Quill offers a unique assessment of war correspondence in Southern newspapers during the American Civil War. The men and women who covered the battles and political developments for Southern newspapers were of a different breed than those who reported the war for the North. They were doctors, lawyers, teachers, editors, and businessmen, nearly all of them with college and professional degrees. Sleeping on beds of snow, dining on raw corn and burned bread, they exhibited a dedication that laid the groundwork for news gathering in the twenty-first century. Objectivity and accuracy became important news values, as shows that Southern war correspondence easily equaled in quality the work produced by reporters for Northern newspapers. With its emphasis on primary sources, the book offers an important and enduring historical perspective on the Civil War and also meets the highest standards of historical scholarship."--Provided by publisher.

From the acclaimed author of The Pattons and Patriot Pirates: a book celebrating America's early war correspondents--legends in their time, but mostly forgotten today--who learned their trade in the Civil War and went on to cover twenty years of bloody imperial conflict in Europe and Central Asia. Their harrowing experiences changed their politics, their youthful illusions of war's glory and thrill, and in some cases cost their lives, while also setting examples of globetrotting gallantry that would influence such iconic daredevils as Rudyard Kipling, Winston Churchill, and Theodore Roosevelt in the decades that followed.

Charles Bean was Australia's greatest and most famous war correspondent. He is the man who told Australia about the horrors of Gallipoli and the Western Front. He is the man who created the Anzac legend. He is the man who was absolutely central to the creation of this country's most important cultural institution, the Australian War Memorial. Yet we know so little about the real man. Bean was not just a key figure in the telling of Australia's military history, but also in the shaping of the emerging Australian identity in the years after Federation.

The author recounts his experiences as a young reporter to "Stars and Stripes," the American forces' daily newspaper in Europe, including his personal account of the liberation and entry into Buchenwald.

"From a former Wall Street Journal foreign correspondent, an exuberant memoir of life, love, and transformation on the frontlines of conflicts around the world. Growing up in 1970s Detroit, Lynda Schuster felt certain life was happening elsewhere. And as soon as she graduated from high school, she set out to find it. Dirty Wars and Polished Silver is Schuster's story of her life abroad as a foreign correspondent in war-torn countries, and, later, as the wife of a U.S. Ambassador. It chronicles her time working on a kibbutz in Israel, reporting on uprisings in Central America and a financial crisis in Mexico, dodging rocket fire in Lebanon, and grieving the loss of her first husband, a fellow reporter, who was killed only ten months after their wedding. But even after her second marriage, to a U.S. diplomat, all the black-tie parties and personal staff and genteel "Ambassatrix School" grooming in the world could not protect her from the violence of war. Equal parts gripping and charming, Dirty Wars and Polished Silver is a story about one woman's quest for self-discovery--only to find herself, unexpectedly, more or less back where she started: wiser, saner, more resolved. And with all her limbs intact"-- Provided by publisher.

In this electrifying first-person account, journatist and author Kevin Sites goes deep into the geopolitical morass of Afghanistan to emerge with critical insights into both a people and a war that few truly comprehend.

The Dogs are Eating Them Now is a highly personal narrative of our war in Afghanistan and how it went dangerously wrong. Written by a respected and fearless former foreign correspondent who has won multiple awards for his journalism (including an Emmy for the video series "Talking with the Taliban") this is a gripping account of modern warfare that takes you into back alleys, cockpits, and prisons -telling stories that would have endangered his life had he published this book while still working as a journalist. Smith was not simply embedded with the military: he operated independently and at great personal risk to report from inside the war, and the heroes of his story are the translators, guides, and ordinary citizens who helped him find the truth. They revealed sad, absurd, touching stories that provide the key to understanding why the mission failed to deliver peace and democracy. From the corruption of law enforcement agents and the tribal nature of the local power structure to the economics of the drug trade and the frequent blunders of foreign troops, this is the no-holds-barred story from a leading expert on the insurgency.

In the years following World War II, the United States suffered its most severe military and diplomatic reverses in Asia while Mao Zedong laid the foundation for the emergence of China as a major economic and military world power. As a correspondent for the International News Service, the Associated Press, and later for the New York Times, Seymour Topping documented on the ground the tumultuous events during the Chinese Civil War, the French Indochina War, and the American retreat from Vietnam, Cambodia, and Laos. In this riveting narrative, Topping chronicles his extraordinary experiences covering the East-West struggle in Asia and Eastern Europe from 1946 into the 1980s, taking us beyond conventional historical accounts to provide a fresh, first-hand perspective on American triumphs and defeats during the Cold War era. At the close of World War II, Topping -- who had served as an infantry officer in the Pacific -- reported for the International News Service from Beijing and Mao's Yenan stronghold before joining the Associated Press in Nanking, Chiang Kai-shek's capital. He covered the Chinese Civil War for the next three years, often interviewing Nationalist and Communist commanders in combat zones. Crossing Nationalist lines, Topping was captured by Communist guerrillas and tramped for days over battlefields to reach the People's Liberation Army as it advanced on Nanking. The sole correspondent on the battlefield during the decisive Battle of the Huai-Hai, which sealed Mao's victory, Topping later scored a world-wide exclusive as the first journalist to report the fall of the capital. In 1950, Topping opened the Associated Press bureau in Saigon, becoming the first American correspondent in Vietnam. In 1951, John F. Kennedy, then a young congressman on a fact-finding visit to Saigon, sought out Topping for a briefing. Assignments in London and West Berlin followed, then Moscow and Hong Kong for the New York Times. During those years, Topping reported on the Chinese intervention in the Korean conflict, Mao's Cultural Revolution and its preceding internal power struggle, the Chinese leader's monumental ideological split with Nikita Khrushchev, the French Indochina War, America's Vietnam War, and the genocides in Cambodia and Indonesia. He stood in the Kremlin with a vodka-tilting Khrushchev on the night the Cuban missile crisis ended and interviewed Fidel Castro in Havana on its aftermath. Throughout this captivating chronicle, Topping also relates the story of his marriage to Audrey Ronning, a world-renowned photojournalist and writer and daughter of the Canadian ambassador to China. As the couple traveled from post to post reporting on some of the biggest stories of the century in Asia and Eastern Europe, they raised five daughters. In an epilogue, Topping cites lessons to be learned from the Asia wars which could serve as useful guides for American policymakers in dealing with present-day conflicts in Afghanistan and Iraq. From China to Indochina, Burma to Korea and beyond, Topping did more than report the news; he became involved in international diplomacy, enabling him to gain extraordinary insights. In On the Front Lines of the Cold War, Topping shares these insights, providing an invaluable eyewitness account of some of the pivotal moments in modern history.

A dramatic and richly detailed chronicle of the Allied invasions of Sicily and Italy from one of America's greatest war correspondents. Following the defeat of Axis forces in North Africa, Allied military strategists turned their attention to southern Italy. Winston Churchill famously described the region as the "soft underbelly of Europe," and claimed that an invasion would pull German troops from the Eastern Front and help bring a swift end to the war. On July 10, 1943, American and British forces invaded Sicily. Operation Husky brought the island under Allied control and hastened the downfall of Benito Mussolini, but more than one hundred thousand German and Italian troops managed to escape across the Strait of Medina. The "soft underbelly" of mainland Italy became, in the words of US Fifth Army commander Lt. Gen. Mark Clark, "a tough old gut." Less than a year after landing with the US Marines on Guadalcanal Island, journalist Richard Tregaskis joined the Allied forces in Sicily and Italy. Invasion Diary documents some of the fiercest fighting of World War II, from bombing runs over Rome to the defense of the Salerno beachhead against heavy artillery fire to the fall of Naples. In compelling and evocative prose, Tregaskis depicts the terror and excitement of life on the front lines and recounts his own harrowing brush with death when a chunk of German shrapnel pierced his helmet and shattered his skull.

"The recipient of multiple Peabody and Murrow awards, Clarissa Ward is a world-renowned conflict reporter. In this strange age of crisis where there really is no front line, she has moved from one hot zone to the next. With multiple assignments in Syria, Egypt, and Afghanistan, Ward, who speaks seven languages, has been based in Baghdad, Beirut, Beijing, and Moscow. She has seen and documented the violent remaking of the world at close range. With her deep empathy, Ward finds a way to tell the hardest stories. On All Fronts is the riveting account of Ward's singular career and of journalism in this age of extremism. Following a privileged but lonely childhood, Ward found her calling as an international war correspondent in the aftermath of 9/11. From her early days in the field, she was embedding with marines at the height of the Iraq War and was soon on assignment all over the globe. But nowhere does Ward make her mark more than in war-torn Syria, which she has covered extensively with courage and compassion. From her multiple stints entrenched with Syrian rebels to her deep investigations into the Western extremists who are drawn to ISIS, Ward has covered Bashar al-Assad's reign of terror without fear. In 2018, Ward rose to new heights at CNN and had a son. Suddenly, she was doing this hardest of jobs with a whole new perspective"-- Provided by publisher.

Winner of two Pulitzer Prizes, Don Whitehead is one of the legendary reporters of World War II. For the Associated Press he covered almost every important Allied invasion and campaign in Europe-from North Africa to landings in Sicily, Salerno, Anzio, and Normandy, and to the drive into Germany. His dispatches, published in the recent Beachhead Don, are treasures of wartime journalism. From the fall of September 1942, as a freshly minted A.P. journalist in New York, to the spring of 1943 as Allied tanks closed in on the Germans in Tunisia, Whitehead kept a diary of his experiences as a rookie combat reporter. The diary stops in 1943, and it has remained unpublished until now. Back home later, Whitehead started, but never finished, a memoir of his extraordinary life in combat. John Romeiser has woven both the North African diary and Whitehead's memoir of the subsequent landings in Sicily into a vivid, unvarnished, and completely riveting story of eight months during some of the most brutal combat of the war. Here, Whitehead captures the fierce fighting in the African desert and Sicilian mountains, as well as rare insights into the daily grind of reporting from a war zone, where tedium alternated with terror. In the tradition of cartoonist Bill Mauldin's memoir Up Front, Don Whitehead's powerful self-portrait is destined to become an American classic.