PEN America 2026 Winners: Nonfiction and Poetry

A girl believes she has been struck blind for stealing a kiss. A mother watches helplessly as each of her children is replaced by a changeling. A woman is haunted each month by the same four chords of a single song. In neurology, illness is inextricably linked with narrative, the clues to unraveling these mysteries hidden in both the details of a patient's story and the tells of their body. Stories are etched into the very structure of our brains, coded so deeply that the impulse for storytelling survives and even surges after the most devastating injuries. But our brains are also porous--the stories they concoct shaped by cultural narratives about bodies and illness that permeate the minds of doctors and patients alike. In the history of medicine, some stories are heard, while others--the narratives of women, of Black and brown people, of displaced people, of disempowered people--are too often dismissed. In The Mind Electric, neurologist Pria Anand reveals--through case study, history, fable, and memoir--all that the medical establishment has overlooked: the complexity and wonder of brains in health and in extremis, and the vast gray area between sanity and insanity, doctor and patient, and illness and wellness, each separated from the next by the thin veneer of a different story. Moving from the Boston hospital where she treats her patients, to her childhood years in India, to Isla Providencia in the Caribbean and to the Republic of Guinea in West Africa, she demonstrates again and again the compelling paradox at the heart of neurology: that even the most peculiar symptoms can show us something universal about ourselves as humans. -- Provided by the publisher.

A bold, urgent appeal from the acclaimed columnist and political commentator, addressing one of the most important issues of our time. In Peter Beinart's view, one story dominates Jewish communal life: that of persecution and victimhood. It is a story that erases much of the nuance of Jewish religious tradition and warps our understanding of Israel and Palestine. After Gaza, where Jewish texts, history, and language have been deployed to justify mass slaughter and starvation, Beinart argues, Jews must tell a new story. After this war, whose horror will echo for generations, they must do nothing less than offer a new answer to the question: What does it mean to be a Jew? Beinart imagines an alternate narrative, which would draw on other nations' efforts at moral reconstruction and a different reading of Jewish tradition. A story in which Israeli Jews have the right to equality, not supremacy, and in which Jewish and Palestinian safety are not mutually exclusive but intertwined. One that recognizes the danger of venerating states at the expense of human life. Being Jewish After the Destruction of Gaza is a provocative argument that will expand and inform one of the defining conversations of our time. It is a book that only Peter Beinart could write: a passionate yet measured work that brings together his personal experience, his commanding grasp of history, his keen understanding of political and moral dilemmas, and a clear vision for the future.

"Baldwin: A Love Story tells the overlapping stories of Baldwin's most sustaining intimate and artistic relationships: with his mentor, the Black American painter Beauford Delaney; with his lover and muse, the Swiss painter Lucien Happersberger; and with his collaborators, the famed Turkish actor Engin Cezzar and the iconoclastic French artist Yoran Cazac"--

Danticat came to think of her uncle Joseph, a charismatic pastor, as her "second father" when she was placed in his care at age four when her parents left Haiti for America. So she experiences a jumble of emotions when, at twelve, she joins her parents in New York City, whom she struggles to remember--she has left behind Joseph and the only home she's ever known. The story of a new life in a new country while fearing for those still in Haiti soon becomes a terrifying tale of good people caught up in events beyond their control. In 2004, his life threatened by a gang, the frail, 81-year-old Joseph makes his way to Miami, where he thinks he will be safe. Instead, he is detained by the Department of Homeland Security, brutally imprisoned, and dead within days. It was a story that made headlines around the world.--From publisher description.

"'I have been writing about death for as long as I have been writing.' [Danticat's] book moves outward from the shock of her mother's [cancer] diagnosis and sifts through Danticat's writing life and personal history, all the while shifting ... from examples that range from Gabriel García Márquez's One Hundred Years of Solitude to Toni Morrison's Sula. The narrative, which continually circles the many incarnations of death from individual to large-scale catastrophes, culminates in a ... prayer in the voice of Danticat's mother"--Amazon.com.

"Tracing a loose arc from Edwidge Danticat's childhood to the COVID-19 pandemic and recent events in Haiti, the essays gathered in We're Alone include personal narrative, reportage, and tributes to mentors and heroes such as Toni Morrison, Paule Marshall, Gabriel García Márquez, and James Baldwin that explore several abiding themes: environmental catastrophe, the traumas of colonialism, motherhood, and the complexities of resilience. From hurricanes to political violence, from her days as a new student at a Brooklyn elementary school knowing little English to her account of a shooting hoax at a Miami mall, Danticat has an extraordinary ability to move from the personal to the global and back again. Throughout, literature and art prove to be her reliable companions and guides in both tragedies and triumphs. Danticat is an irresistible presence on the page: full of heart, outrage, humor, clear thinking, and moral questioning, while reminding us of the possibilities of community. And so "we're alone" is both a fearsome admission and an intimate invitation-we're alone now, we can talk. We're Alone is a book that asks us to think through some of the world's intractable problems while deepening our understanding of one of the most significant novelists at work today"-- Provided by publisher.

"Taking its name from the moon's dark plains, misidentified as seas by early astronomers, The Black Maria investigates African diasporic histories, the consequences of racism within American culture, and the question of human identity. Central to this project is a desire to recognize the lives of Eritrean refugees who have been made invisible by years of immigration crisis, refugee status, exile, and resulting statelessness. The recipient of a 2015 Whiting Award for Poetry, Girmay's newest collection elegizes and celebrates life, while wrestling with the humanistic notion of seeing beyond: seeing violence, seeing grace, and seeing each other better."to the sea"great storage house, history on which we rode, we touched the brief pulse of your fluttering pages, spelled with salt & life, your rage, your indifference your gentleness washing our feet, all of you going on whether or not we live, to you we bring our carnations yellow & pink, how they float like bright sentences atop your memory's dark hair. Aracelis Girmay is the author of two poetry collections, Teeth and Kingdom Animalia, which won the Isabella Gardner Award and was a finalist for the NBCC Award. The recipient of a 2015 Whiting Award, she has received grants and fellowships from the Jerome, Cave Canem, and Watson foundations, as well as Civitella Ranieri and the NEA. She currently teaches at Hampshire College's School for Interdisciplinary Arts and in Drew University's low residency MFA program. Originally from Santa Ana, California, she splits her time between New York and Amherst, Massachusetts"-- Provided by publisher.

Zuzu draws on memories, dance, and song to help her, and her grandson Kamau, make a new life for themselves on the moon while still finding a way to communicate with relatives back on Earth.