National Book Critics Circle Awards

"A stunningly revelatory narrative history of one of the most momentous events in modern times, the jaw-dropping stupidity of the American government, and the dawn of the age of religious nationalism"-- Provided by publisher.

"Tara's November 18th transforms when she discovers that she is no longer alone in her endless autumnal day. For she has met someone who remembers, and who knows as well as she does that 'it is autumn, but that we're not heading into winter. That spring and summer will not follow. That the reds and yellows of the trees are here to stay. That yesterday doesn't mean the seventeenth of November, that tomorrow means the eighteenth, and that the nineteenth is a day we may never see.' Where Book I and II focused on a single woman's involuntary journey away from her life and her loved ones and into the chasm of time, Book III brings us back into the realm of companionship, with all its thrills, odd quirks, and a sense of mutual bewilderment at having to relearn how to exist alongside others in a shared reality. And then of course, what of Tara's husband Thomas, still sitting alone day after day, entirely unawares, in their house in Clarion-sous-Bois, waiting for his wife to return? Blending poetry and philosophical inquiry with rich reflections on our discombobulating times, Balle's On the Calculation of Volume asks us to consider: What is a single person's responsibility to humanity and to the preservation of this world?"-- Provided by publisher.

"Baldwin: A Love Story tells the overlapping stories of Baldwin's most sustaining intimate and artistic relationships: with his mentor, the Black American painter Beauford Delaney; with his lover and muse, the Swiss painter Lucien Happersberger; and with his collaborators, the famed Turkish actor Engin Cezzar and the iconoclastic French artist Yoran Cazac"--

""Jude Woods is on the brink of eviction. Pregnant, jobless, and mother to Evan and Virginia, she has three days to box up her family's life and find a safe place to live. In the Woods' quiet trailer park, neighbors keep to themselves, but it's no secret Jude and her twins are in jeopardy-the eviction notice slapped on their front door like a white shout. When Jude's contractions flare just as their power is shut off, she rushes to the hospital instructing Evan and Virginia to hide in their car in the surrounding fields. If the children are discovered outside alone, they will be taken from her. Jude labors through the night in a crowded emergency room while the twins, desperate in the heat of the cramped car and spurred by their wild imaginations, strike out along the dangerous riverbank in search of a new home for their growing family. As night hurtles toward morning lockout, both mother and children reckon with what it means to live and dream in a modern America insistent on slamming doors. Poetic and distinct, the voices of the three Woods open to a chorus of waitresses and oil men, veterans and graffiti artists as Crown trawls the laundromats, public bus systems, and waiting rooms of a forgotten blue-collar city."-- Provided by publisher.

"It was Memorial Day, 2019, when Geraldine Brooks received news that her husband, Tony Horwitz, had collapsed and died, far from home, in the middle of his own book tour. The complex tasks required in the face of such a sudden death left her no time to properly grieve for him. Three years later, still feeling broken and bereft, she booked a flight to a remote island off the coast of Tasmania. Alone on a rugged stretch of coast, she revisited a thirty-five-year marriage filled with risk, adventure, humor, and love. There, she pondered the ways other cultures deal with mourning and finally seized the time and space she needed for her own grief"--Inside jacket flap.

"A reflection upon aging and the passing of time across poems that struggle between form and chaos"-- Provided by publisher.

"On a warm day in September 2000, a twenty-eight-year-old woman named Zanhua gave birth to twin girls in a small hut nestled in bamboo behind her brother's rural home in China's Hunan province. The twins, Fangfang and Shuangjie, were welcome additions to her young family but also not her first children. Hidden in the hut, they were born under the shadow of China's notorious one-child policy. Fearing the ire of family planning officials, Zanhua and her husband decided to leave one twin in the care of relatives, hoping each toddler on their own might stay under the radar. But, in late 2002, Fangfang was violently snatched away from her aunt's care. The family worried they would never see her again, but they didn't imagine she could be sent to the United States. She might as well have been sent to another world. Following her stories written as the Beijing bureau chief for the Los Angeles Times, Barbara Demick, author of National Book Award finalist Nothing to Envy, embarks on a journey that encompasses the origins, shocking cruelty, and long term impact of China's one-child rule; the rise of international adoption and the religious currents that buoyed it; and the exceedingly rare phenomenon of twin separation. Today, Esther--formerly Fangfang--is a photographer in Texas, and Demick brings to vivid life the Christian family that felt called to adopt her, having no idea that she was kidnapped. Through Demick's indefatigable reporting and the activist work to find these lost children, will these two long-lost sisters finally find each other, and if they do, will they feel whole again? A remarkable window into the volatile, constantly changing China of the last half century and the long-reaching legacy of the country's most infamous law, Daughters of the Bamboo Grove is also the moving story of two sisters torn apart by the forces of history and brought together again by their families' determination and one reporter's dogged work"-- Provided by publisher.

"From award-winning novelist and journalist Omar El Akkad comes a powerful reckoning with what it means to live in the heart of an empire that doesn't consider you fully human. On October 25th, 2023, after just three weeks of the bombardment of Gaza, Omar El Akkad put out a tweet: "One day, when it's safe, when there's no personal downside to calling a thing what it is, when it's too late to hold anyone accountable, everyone will have always been against this." This tweet was viewed more than ten million times. One Day Everyone Will Have Always Been Against This chronicles the deep fracture that has occurred for Black, brown, Indigenous Americans, as well as the upcoming generation, many of whom had clung to a thread of faith in Western ideals, in the idea that their countries, or the countries of their adoption, actually attempted to live up to the values they espouse"-- Provided by publisher.

From an award-winning historian of radical Black politics comes the definitive biography of Queen Mother Audley Moore-foremother of the Black Nationalism movement and trailblazer in the fight for reparations. In the world of radical Black politics, the name Audley Moore commands unquestioned respect. Across the nine decades of her life, Queen Mother Moore distinguished herself as a leading progenitor of Black Nationalism, the founder of the modern reparations movement, and a mentor to some of America's most influential Black activists from her homes in North Philadelphia and Harlem. And yet, she is far less remembered than many of her peers and protégés-Marcus Garvey, Malcolm X, and Muhammad Ahmad, to name just a few-and the ephemera of her life are either lost or plundered. In Queen Mother, celebrated writer and historian Ashley D. Farmer restores Moore's faded portrait, delivering the first ever definitive account of her life and enduring legacy. Deeply researched and richly detailed, Queen Mother is more than just the biography of an American icon. It's a narrative history of 20th-century Black radicalism, told through the lens of the woman whose grit and determination sustained the movement.

"Desiree, Danielle, January, Monique, and Nakia are in their early twenties and at the beginning. Of their careers, of marriage, of motherhood, and of big-city lives in New York and Los Angeles. Together, they are finding their way through the wilderness, that period of life when the reality of contemporary adulthood--overwhelming, mysterious, and full of freedom and consequences--swoops in and stays. Desiree and Danielle, sisters whose shared history has done little to prevent their estrangement, nurse bitter family wounds in different ways. January's got a relationship with a 'good' man she feels ambivalent about, even after her surprise pregnancy. Monique, a librarian and aspiring blogger, finds unexpected online fame after calling out the university where she works for its plans to whitewash fraught history. And Nakia is trying to get her restaurant off the ground, without relying on the largesse of her upper middle-class family who wonder aloud if she should be doing something better with her life. As these friends move from the late 2000's into the late 2020's, from young adults to grown women, they must figure out what they mean to one another--amid political upheaval, economic and environmental instability, and the increasing volatility of modern American life. The Wilderness is Angela Flournoy's masterful and kaleidoscopic follow-up to her critically acclaimed debut The Turner House. A generational talent, she captures with disarming wit and electric language how the most profound connections over a lifetime can lie in the tangled, uncertain thicket of friendship."-- Provided by publisher.

"The story of how the United States' identity was formed is almost invariably told by looking east to Europe. But as Greg Grandin vividly demonstrates, the nation's unique sense of itself was in fact forged facing south--no less than Latin America's was indelibly stamped by the looming colossus to the north. In this stunningly original reinterpretation of the New World Grandin reveals how North and South emerged from a constant, turbulent engagement with each other. America, América traverses half a millennium, from the Spanish Conquest--the greatest mortality event in human history--through the eighteenth-century wars for independence, the Monroe Doctrine, the coups and revolutions of the twentieth century, and beyond. Grandin shows, among other things, how royalist Spanish America, by sending troops and supplies, helped save the republican American Revolution; how in response to U.S. interventions, Latin Americans remade the rules, leading directly to the founding of the United Nations; and how the Good Neighbor Policy allowed FDR to assume the moral authority to lead the fight against world fascism. Grandin's book sheds new light on well-known historical figures like Bartolomé de las Casas, Simón Bolívar, and Woodrow Wilson, as well as lesser-known actors such as the Venezuelan Francisco de Miranda, who almost lost his head in the French Revolution and conspired with Alexander Hamilton to free America from Spain; the Colombian Jorge Gaitán, whose unsolved murder inaugurated the rise of Cold War political terror, death squads, and disappearances; and the radical journalist Ernest Gruening, who in championing non-interventionism in Latin America, helped broker the most spectacularly successful policy reversal in United States history. This is a monumental work of scholarship that will fundamentally change the way we think of slavery and racism, the rise of universal humanism, and the role of social democracy in staving off extremism. At once comprehensive and accessible, America, América shows that centuries of bloodshed and diplomacy not only helped shape the political identities of the United States and Latin America but also the laws, institutions, and ideals that govern the modern world. A culmination of a decades-long engagement with hemispheric history, drawing on a vast array of sources, and told with authority and flair, this is a genuinely new history of the New World"-- Provided by publisher.

"One morning in December, Kyungha receives a message from her friend Inseon saying she has been hospitalized in Seoul and asking that Kyungha join her urgently. The two women have last seen each other over a year before, on Jeju Island, where Inseon lives and where, two days before this reunion, she has injured herself chopping wood. Airlifted to Seoul for an operation, Inseon has had to leave behind her pet bird. Bedridden, she begs Kyungha to take the first plane to Jeju to save the animal. A snowstorm hits the island when Kyungha arrives. She must reach Inseon's house at all costs, but the icy wind and snow squalls slow her down as night begins to fall. She wonders if she will arrive in time to save Inseon's bird-or even survive the terrible cold that envelops her with every step. Lost in a world of snow, she doesn't yet suspect the vertiginous plunge into the darkness which awaits her at her friend's house. There, the long-buried story of Inseon's family surges into light, in dreams and memories passed from mother to daughter, and in the archive painstakingly assembled at the house, documenting a terrible massacre on the island"-- Provided by publisher.

"From a brilliant longtime AI Insider with intimate access to the world of Sam Altman's OpenAI, an eye-opening account of arguably the most fateful tech arms race in history, reshaping the planet in real time, from the cockpit of the company that is driving the frenzy"--Dust jacket.

"An explosive, deeply reported exposâe of Johnson & Johnson, one of America's oldest and most trusted pharmaceutical companies--from an award-winning investigative journalist."--Provided by publisher.

"Born with a congenital muscle disorder, Shaka spends her days in her room in a care home outside Tokyo, relying on an electric wheelchair to get around and a ventilator to breathe. But if Shaka's physical life is limited, her quick, mischievous mind has no boundaries: she takes e-learning courses on her iPad, publishes explicit fantasies on websites, and anonymously troll-tweets to see if anyone is paying attention ("If I were to live again, I'd want to be a highclass prostitute"). One day, she tweets into the void an offer of an enormous sum of money for a sperm donor. To her surprise - and ours - her new nurse accepts the dare, unleashing a series of events that will forever change Shaka's sense of herself as a woman in the world. Hunchback has shaken Japanese literary culture with its skillful depiction of the physical body and unrepentant humor. Winner of the prestigious Akutagawa Prize, it's a feminist story about the dignity of an individual who insists on her right to make choices for herself, no matter the consequences. Formally creative and refreshingly unsentimental, Hunchback depicts the joy, anger, and desires of a woman demanding autonomy in a world that doesn't always always grant it to people like her. Full of wit, bite, and heart, this unforgettable novel reminds us all of the full potential of our lives, no matter the limitations we experience"-- Provided by publisher.

"This biography of Jessica Mitford, fifth of the six famous Mitford Girls, tells the wild and unlikely story of a British aristocrat who became an American Communist, bringing her astonishing self-transformation to life with a riveting, often hilarious, account of trading wealth and status for a life of radical activism. Who could predict that a British aristocrat would so energize American antiwar and civil rights struggles that Time magazine would crown her "Queen of the Muckrakers"? Jessica Mitford, fifth of the six famous "Mitford Girls," was brought up by an eccentric English family to marry well and reproduce her wealth and privilege, not to advocate for the less advantaged. Her five beautiful sisters have been subjects of books and movies dedicatedto their naughty, glamorous lives. Jessica-known as Decca-ran away to America to forge a wilder rebel's life. As this richly researched book details, Decca broke the Mitford mold-fighting fascism in the Spanish Civil War, becoming an American Communist and pioneering witty, wildly popular journalism, including her blockbuster The American Way of Death, placing her at the heart of social justice battles. Decca relentlessly injected laughter into her politics, encouraging the activists she influenced to dolikewise. From famed baby doctor Benjamin Spock to best friend Maya Angelou, her anti-authoritarian irreverence had a profound impact on American culture. Mining extensive, untapped sources, Kaplan's passionate biography of an unlikely life demonstratesthat Decca's social empathy was hard-won and self-taught, a model with particular relevance today and a powerful, modern example of female adventure and freedom"-- Provided by publisher.

"One woman, the performance of a lifetime. Or two. A mesmerizing Mobius strip of a novel that asks who we are to the people we love. Two people meet for lunch in a Manhattan restaurant. She's an elegant and accomplished actress in rehearsals for an upcoming premiere. He's attractive, troubling, and young-young enough to be her son. Who is he to her - and who is she to him? In this compulsively readable, brilliantly constructed novel, two competing narratives unspool, rewriting our understanding of the roles we play every day - partner, parent, creator, muse - and the truths every performance masks, especially from those who think they know us best. Taut, hypnotic, Audition is Katie Kitamura at her virtuosic best"-- Provided by publisher.

A writer recounts his yearlong recovery in Rome following a fall that left him unable to walk, dictating reflections on his medical journey, parenthood, immigration, and writing, ultimately transforming his pain into a narrative that celebrates resilience, gratitude, and love amidst adversity.

From Whiting Award-winner Rickey Laurentiis, a mythic, lyric, decade-in-the-making new collection of masterful poems that probe the meanings of trans/formation and re-creation, a new classic about gender and love. When Rickey Laurentiis debuted in 2015 with Boy With Thorn, the poetry world heralded the arrival of an astonishing new lyric talent. "Call Rickey Laurentiis' stylistic range virtuosity or call it correctly, necessity," Terrance Hayes wrote. In the past decade, as Laurentiis has transitioned, her ideas of the lyric and poetry have transformed, as has the America in which she lived. This staggering, irreverent, gentle and erotic book is a record of that ten-year journey. It draws on, expands, and then fractures the many poetic traditions which informed Laurentiis' poetics-from Greek odes and early Black Spirituals to the work of Whitman and Dickinson and the midcentury cinematic icon, The Lady Chablis. Then, brick by brick, she builds them anew and makes them her own. She maps a path onto the contradictions, precarity, and revelry of her hometown, "New Orleans / As that modern text, witnessed, and revised, by the light as radically / As by the water, which is history, which slip / Thru your hands. This city is a ghost for hire." With this as her frame, Laurentiis meditates on what it means to be trans and Black in this nation and in her own body, when both demarcations are often excuses for violence. She goes further, examining pleasure and deep-felt pain, in a rhythmic, wild embrace of life, an act of spirit work and self-grace.

A deeply personal and eye-opening memoir from journalist Beth Macy, exploring how her once-thriving Ohio hometown unraveled over four decades. Blending family history, reporting, and social insight, Macy traces the loss of community, the rise of anger and division, and the human cost of economic and cultural decline in small-town America.

In the twelve stories of Heart Lamp, Banu Mushtaq exquisitely captures the everyday lives of women and girls in Muslim communities in southern India. Published originally in the Kannada language between 1990 and 2023, praised for their dry and gentle humor, these portraits of family and community tensions testify to Mushtaq's years as a journalist and lawyer, in which she tirelessly championed women's rights and protested all forms of caste and religious oppression. Written in a style at once witty, vivid, colloquial, moving and excoriating, it's in her characters--the sparky children, the audacious grandmothers, the buffoonish maulvis and thug brothers, the oft-hapless husbands, and the mothers above all, surviving their feelings at great cost--that Mushtaq emerges as an astonishing writer and observer of human nature, building disconcerting emotional heights out of a rich spoken style. Her opus has garnered both censure from conservative quarters as well India's most prestigious literary awards; this is a collection sure to be read for years to come.--Amazon

"Pulitzer Prize winner Viet Thanh Nguyen's To Save and to Destroy is a deeply personal reflection on outsiders in literature and in US society. Across six essays, first delivered as the Norton Lectures, Nguyen offers insightful readings of authors who shaped his craft, culminating in a poignant and vigorous call for a solidarity of the devastated"-- Provided by publisher.

"An unsparing investigation into Spotify's origins and influence on music, weaving unprecedented reporting with incisive cultural criticism, illuminating how streaming is reshaping music for listeners and artists alike. Drawing on over one hundred interviews with industry insiders, former Spotify employees, and musicians, Mood Machine takes us to the inner workings of today's highly consolidated record business, showing what has changed as music has become increasingly playlisted, personalized, and autoplayed. Building on her years of wide-ranging reporting on streaming, music journalist Liz Pelly details the consequences of the Spotify model by examining both sides of what the company calls its two-sided marketplace: the listeners who pay with their dollars and data, and the musicians who provide the material powering it all. The music business is notoriously opaque, but here Pelly lifts the veil on major stories like streaming services filling popular playlists with low-cost stock music and the rise of new payola-like practices. For all of the inequities exacerbated by streaming, Pelly also finds hope in chronicling the artist-led fight for better models, pointing toward what must be done collectively to revalue music and create sustainable systems. A timely exploration of a company that has become synonymous with music, Mood Machine will change the way you think about and listen to music"-- Publisher's website.

"Mother Mary Comes to Me, Arundhati Roy's first work of memoir, is a soaring account, both intimate and inspirational, of how the author became the person and the writer she is, shaped by circumstance, but above all by her complex relationship to the extraordinary, singular mother she describes as 'my shelter and my storm.' 'Heart-smashed' by her mother Mary's death in September 2022 yet puzzled and 'more than a little ashamed' by the intensity of her response, Roy began to write, to make sense of her feelings about the mother she ran from at age eighteen, 'not because I didn't love her, but in order to be able to continue to love her.' And so begins this astonishing, sometimes disturbing, and surprisingly funny memoir of the author's journey from her childhood in Kerala, India, where her single mother founded a school, to the writing of her prizewinning novels and essays, through today. With the scale, sweep, and depth of her novels, The God of Small Things and The Ministry of Utmost Happiness, and the passion, political clarity, and warmth of her essays, Mother Mary Comes to Me is an ode to freedom, a tribute to thorny love and savage grace--a memoir like no other" -- Provided by publisher.

"A gripping Dust Bowl epic about five characters whose fates become entangled after a storm ravages their small Nebraska town"-- Provided by publisher.

"Yoko Tawada's first essay collection in English presents an electrifying new side of the National Book Award-winner as she dives deep into her lifelong fascination with cross-hybridizing languages"--Back cover.

Why do you write?' the organizer of a literary event in Mexico City asks Miriam Toews. Each attempted answer from Toews -- all of them unsatisfactory to the organizer -- surfaces new layers of grief, guilt, and futility connected to her sister's suicide. She has been keeping up, she realizes, a decades-old internal correspondence, filling a silence she barely understands. And we, her readers, come to see that the question is as impossible to answer as deciding whether to live life as a comedy or a tragedy. Marking the first time Toews has written her own life in nonfiction, A Truce That Is Not Peace explores the uneasy pact a writer makes with memory. Wildly inventive yet masterfully controlled; slyly casual yet momentous; wrenching and joyful; hilarious and humane -- this is Miriam Toews at her dazzling best, remaking her world and inventing an astonishing new literary form to contain it.

Angelica and Elizabeth Schuyler, born to wealth and privilege in New York's Hudson Valley during the latter half of the eighteenth century, were raised to make good marriages and supervise substantial households. Instead they became embroiled in the turmoil of America's insurrection against Great Britain--and rebelled themselves, in ways as different as each was from the other, against the destiny mapped out for them. Glamorous Angelica, who sought fulfillment through attachments to powerful men, eloped at twenty with a war profiteer and led a luxurious life, first in Paris, then in London, charming Benjamin Franklin, Thomas Jefferson, and the Prince of Wales. Eliza, one year her junior, too candid for flirtation and uninterested in influence or intrigue, married a penniless illegitimate outsider, Alexander Hamilton, and devoted herself to his career. But after his appointment as America's first Treasury Secretary, she was challenged by the controversies in which he became involved, not the least of which was the attraction that grew between him and her adored sister. When tragedy followed, everything changed for both women: one deprived of her animating spirit, the other improbably gaining a new, self-determined life. "You would not have suffered if you had married into a family less near the sun," wrote Angelica to Eliza, "but then [you would have missed] the pride, the pleasure, the nameless satisfactions." Drawing on deep archival research, including never-published records and letters, Amanda Vaill interweaves this family drama with its historical context, creating a narrative with the sweep and intimacy of a nineteenth-century novel. Full of battles and dinner parties, murky politics and transparent frocks, fierce loyalty and betrayals both public and personal, Pride and Pleasure brings two extraordinary American heroines to life.

"Following on his exquisite Stones, Young's new collection shapes stories of familial and familiar love, inspired in part by other lives. A central sequence, "The Two-Headed Nightngale," is spoken by Millie-Christine McCoy, the famous conjoined African American "Carolina Twins." Born into slavery and ill treatment as a "freak" sensation in 1851 and later free women, their alto and soprano voices harmonized, and Young's poem explores their evolving selfhood and self-understanding: "As one we sang, /we spake- / She was the body / I the soul / Without one / Perishes the whole." In "Darkling," a cycle of poems written in reaction to Robert Rauschenberg's paintings made while listening to Dante's Inferno canto by canto, Young expands and embroiders the circlesof Hell, incorporating his own experiences, drawing a cosmology of both loneliness and accompaniment, making space for the communal and singular voicing of both sorrow and hope, spiced with rueful notes on the failures of American culture. When he goes,he warns, don't sing "Amazing Grace"-not that "National / Anthem of Suffering." No, he suggests, "When I Fly Away, / Don't dare hold no vigil . . . Just burn the whole / Town on down.""-- Provided by publisher.